Sara Nadal-Melsió

Sara Nadal-Melsió is a New York City-based Catalan writer, curator, and teacher. She is presently finishing a book entitled Europe and the Wolf: Political Variations on a Musical Concept.

  • Politically Red

    Eduardo Cadava and Sara Nadal-Melsió

    Reading and writing are collective acts of political pedagogy, and the struggle for change must begin at the level of the sentence.

    “Reading is class struggle,” writes Bertolt Brecht. Marxism is not just a body of political and economic thought but also a practice of reading and writing, in which individual sentences give form to collective action and become social beings in their own right. Through a series of creative and interconnected readings of writings by, among others, Karl Marx, W. E. B. Du Bois, Rosa Luxemburg, Walter Benjamin, and Fredric Jameson, Eduardo Cadava and Sara Nadal-Melsió contextualize contemporary demands for social and racial justice by expanding our understanding of the relationship between literacy and class politics.

    Reading between the lines, as it were, Cadava and Nadal-Melsió engage in an inventive literary mode of activist writing that finds new resources for Marxist thought, crucial for confronting the inequalities of our current historical moment and for combating insurgent fascism and racism. Reading and writing, they argue, are never solitary tasks, but rather collaborative and collective, and able to revitalize our shared political imagination. Drawing on what they call a “red common-wealth”—an archive of vast resources for doing political work and, in particular, antiracist work—Cadava and Nadal-Melsió demonstrate that sentences, as dynamic repositories of social relations, are historical and political events.

    • Hardcover $29.95

Contributor

  • Thyssen-Bornemisza Art Contemporary

    Thyssen-Bornemisza Art Contemporary

    The Commissions Book

    Daniela Zyman and Eva Ebersberger

    A massive anthology of texts, visual material, and research on TBA21's commissions and the foundation's vast collection of over 700 artworks.

    "What survives after the artwork?" asks curator and researcher Natasha Ginwala in one of the essays in Thyssen-Bornemisza Art Contemporary: The Commissions Book, a new and comprehensive publication by the art foundation Thyssen-Bornemisza Art Contemporary (TBA21), founded by Francesca Thyssen-Bornemisza in Vienna, Austria, in 2002. "The artwork is not just the thing in itself, but also the metaphysical infrastructure and unfinished relationships that produce it," Ginwala writes. In that sense, this anthology of texts, visual material, and research on TBA21's commissions and the foundation's vast collection of over 700 artworks serves as vivid testimony to the processes and relationships that enabled them.

    In more than 1,300 pages, The Commissions Book engages with more than 100 works of art, proposing a speculative topography that organizes and weaves together sequences of potential narratives and interrogations along with close examinations of different works of art and a collective archive of images. The stories embedded in these works, as well as in TBA21 and TBA21-Academy's practice--an itinerant site of transdisciplinary research and cultural production engaging with the oceans--is a story of making new connections, or rather creating interconnections. Bringing together visual and written material from TBA21's commissioning practice and vast history of exhibitions and live events, The Commissions Book also goes beyond the foundation's archives to present new works and commissions by Cecilia Bengolea, Claudia Comte, SUPERFLEX, and Territorial Agency, amongst many others. New essays by Natasha Ginwala's and such transdisciplinary feminist thinkers as Astrida Neimanis and Eva Hayward transcend individual artistic positions and ask questions that lie at the core of TBA21's program.

    • Hardcover $35.95