Victoria Hindley

Design and Visual Culture, Acquisitions Editor

All Editors

Victoria joined the MIT Press in 2016 after working in publishing and the arts for two decades in both the USA and Europe. She acquires work in visual culture and design, building upon and expanding the Press’s commitment to forward-looking discourse and the Institute’s groundbreaking work in visual studies. Interested as much in transformative scholarship as in the ways that visual and material culture and design impact our daily lives, she looks for work that is rigorous, nuanced, accessible, and visually compelling. She is particularly interested in global discourses that are politically engaged, culturally informed, and which center underrepresented perspectives and understudied questions.

Victoria can be reached at vhindley@mit.edu.

Recent Acquisitions

Decolonizing Design by Elizabeth (Dori) Tunstall; A Black Gaze by Tina M. Campt; Designing Motherhood by Michelle Fisher and Amber Winick; In the Black Fantastic by Ekow Eshun with Michelle D. Commander and Kameelah L. Martin; Spatial Justice: Architecture as Activism by Dana Cuff; #You Know You’re Black in France When...The Fact of Everyday Antiblackness in French Society by Trica Keaton; Design after Capitalism by Matthew Wizinsky; Postsensual Aesthetics: On the Logic of the Curatorial by James Voorhies; Autotheory as Feminist Practice in Art, Writing, and Criticism by Lauren Fournier; Feminist Designer: On the Personal and the Political in Design by Alison Place; Design to Live: Everyday Inventions from a Refugee Camp, edited by Azra Aksamija, Raafat Majzoub and Melina Philippou; Visual Culture by Alexis Boylan; Gender(s) by Kathryn Bond Stockton; Butch Heroes by Ria Brodell; Turks, Jews, and Other Germans in Contemporary Art by Peter Chametzky; Parallel Public by Sara Blaylock; Paper Revolutions by Sarah James; Free Berlin by Briana J. Smith; Critical Care: Architecture and Urbanism for a Broken Planet, Angelika Fitz, Elke Krasny, and the Architekturzentrum Wien.